Double Deuce’s ‘I’ve Been Down’ Is a 70s-Inspired Disco Burner with Soul
Double Deuce’s ‘I’ve Been Down’ delivers a 70s-inspired vocal disco burner with soulful vocals, sweeping strings, and a funky bassline, out now on Birth Music.
Author: Staff Writer
Arnault Hardy’s Nowhere People conjures a late-night haze of wobbly electronica
Arnault Hardy’s Nowhere People EP sets a late-night scene with wobbly, tape-warped textures and vaporwave-tinged ambience.
Marc Stan’s Vibrations EP is a study in peak-time contrast
Marc Stan’s latest pairs hypnotic tension with direct vocal energy, built for peak-time impact.
I Am Me’s Starseed Moves with a Smoky, Bass-Heavy Pulse
The low-end hits first, a thick, rolling weight that fills the room before any melody surfaces. I Am Me’s Starseed works that space with a quiet confidence.
Videopath / Westcoast Goddess Shape a Dreamlike Memory on A Place In The World
Videopath and Westcoast Goddess share a dreamlike, worn-in record built for late-night listening, where atmosphere matters more than impact.
Adriano Rossi’s Aliens And Cowboys channels a crooked Ninja Tune spirit
Adriano Rossi’s Aliens And Cowboys channels a late-90s Ninja Tune energy with crooked electro grooves and quietly addictive details.
SYNCHROLIFT Unfolds the 56-Bar Outro on ATOMIC BATTERY
SYNCHROLIFT’s ATOMIC BATTERY builds toward a long, driven harmonic outro that rewards patient DJs and darker club rooms.
JordanLivinGood raises the tempo on club-ready Hip House cut Hybrid
JordanLivinGood shares Hybrid, a Hip House track rebuilt for the club after a transformative trip to Winter Music Conference.
The Vocal That Anchors Paradise’s Stay With Me
Tegan Hughes’ clear, yearning topline gives Paradise’s latest its quiet centre of gravity, keeping the euphoric frame measured and club-ready.
