BEFORE MIDI Blur the Edges of the Club on Invaders
Live recordings and cloudy improvisation shape BEFORE MIDI’s club-focused EP.
Author: Staff Writer
The Last Jack: A-Eno-Acid Builds Tension From a Small Kit
A-Eno-Acid’s The Last Jack makes its case through restraint, working a drum machine, a bassline and a 303 across a record that is best heard end to end.
Jordan Agro’s ‘What You Want’ Arrives 9 October
Jordan Agro’s ‘What You Want’ is a tech house record built for the back half of a set, out 9 October 2026.
DJ AMADEUS Shapes ETERNITY Around a Featured Voice
DJ AMADEUS and Gid Sedgwick share the billing on ETERNITY, a vocal-led track built for the middle of a set.
JSDS Trusts the Groove on It’s All You
JSDS returns with It’s All You on Señorita Records, a club record that keeps the focus on the groove.
In A New Life: Another Couple’s Patient Debut
Another Couple’s debut single In A New Life is built on a one-take Moog bassline and a four-year wait, resulting in a track that rewards patience.
Only Bee Turns Vocal House Into a Personal, Naples-Led Language
On her debut, Only Bee blends vocal intimacy with groove-first club instincts, shaping dance music into emotional songwriting.
NevadaSYSTEM, Qian Qiao, and Saint’s ‘New York’ Earns Its Familiarity Slowly
A no-samples reinterpretation of Ja Rule’s ‘New York’ built for the sunset slot, where recognition arrives without nostalgia.
Double Deuce’s ‘I’ve Been Down’ Is a 70s-Inspired Disco Burner with Soul
Double Deuce’s ‘I’ve Been Down’ delivers a 70s-inspired vocal disco burner with soulful vocals, sweeping strings, and a funky bassline, out now on Birth Music.
Arnault Hardy’s Nowhere People conjures a late-night haze of wobbly electronica
Arnault Hardy’s Nowhere People EP sets a late-night scene with wobbly, tape-warped textures and vaporwave-tinged ambience.
